QPSTC 25% all-spend, plus 16% on computer-aided effects and animation
Primary-sourced 2026-07-29 · full statutes, quotes and legislative history in docs/tax/province-qc.md · estimates only, never tax advice.
before bonuses · the rate a foreign production starts from
Fully refundable. Certified by SODEC, claimed through Revenu Québec.
net effective on total budget · ≈C$4.6M stacked with federal
Model your own →Where a province runs more than one, they are usually mutually exclusive — a production claims one, not both. Getting this fork wrong is the most expensive mistake available at this stage.
Aimed at foreign, non-Québec-owned productions and at attracting technical services work. All-spend: qualified labour plus the cost of qualified properties incurred in Québec. No requirement that the corporation be Québec-controlled.
| Component | Rate | Base |
|---|---|---|
| Basic | 25% | All-spend production costs incurred in Québec Raised from 20% by Budget 2024-2025 |
| CG effects & animation | +16% | Qualified labour attributable to computer-aided special effects and animation, including chroma-key shooting |
| VFX service contracts | effective 26.65% | Only 65% of an admissible VFX/animation service contract counts as qualified labour (25% + 16%) × 65% |
Provincial production-services credits can be stacked with the federal PSTC — but under ITA s. 125.5(1) they count as "assistance" and reduce the federal qualified-labour base dollar for dollar. So the provincial credit is computed first, and the federal applies to what is left. This is the interaction that breaks spreadsheets.
ITA s. 125.5 · Income Tax Regulations s. 9300 · Cannot be combined with the federal CPTC on the same production (ITA s. 125.5(4)).
Things secondary summaries routinely get wrong.
Primary only. Secondary aggregators are used as cross-checks, never as a source of record.
Whether your production actually qualifies — and which stream to elect — depends on ownership, content points, labour share and where you shoot. That is the conversation worth having before you lock a budget.
Rates are the easy part. Whether the crew and stage space exist in your window is the part that decides it.