OPSTC 21.5% all-spend, with OFTTC and OCASE for domestic and animation
Primary-sourced 2026-07-29 · full statutes, quotes and legislative history in docs/tax/province-on.md · estimates only, never tax advice.
before bonuses · the rate a foreign production starts from
Fully refundable, claimed on the T2 for the year the expenditures were incurred. CRA pays net of taxes owing. No annual funding envelope — timing follows T2 assessment. Refunds cannot be assigned to a third party, though CRA can redirect the cheque to a lender at the corporation’s address.
net effective on total budget · ≈C$4.1M stacked with federal
Model your own →Where a province runs more than one, they are usually mutually exclusive — a production claims one, not both. Getting this fork wrong is the most expensive mistake available at this stage.
For service and foreign productions, and domestic productions not claiming OFTTC. All-spend: labour, eligible service contracts and tangible property.
| Component | Rate | Base |
|---|---|---|
| Basic | 21.5% | Qualifying Ontario production expenditures (QPE) |
For Canadian-controlled productions meeting content points and a 75% Ontario cost test. Cannot be combined with OPSTC on the same production.
| Component | Rate | Base |
|---|---|---|
| Basic | 35% | Eligible Ontario labour |
| First-time producer | 40% | Eligible Ontario labour |
Stacks on top of either OFTTC or OPSTC for eligible animation and VFX labour.
| Component | Rate | Base |
|---|---|---|
| Basic | 18% | Ontario labour attributable to eligible digital animation and VFX |
Provincial production-services credits can be stacked with the federal PSTC — but under ITA s. 125.5(1) they count as "assistance" and reduce the federal qualified-labour base dollar for dollar. So the provincial credit is computed first, and the federal applies to what is left. This is the interaction that breaks spreadsheets.
ITA s. 125.5 · Income Tax Regulations s. 9300 · Cannot be combined with the federal CPTC on the same production (ITA s. 125.5(4)).
Things secondary summaries routinely get wrong.
Primary only. Secondary aggregators are used as cross-checks, never as a source of record.
Whether your production actually qualifies — and which stream to elect — depends on ownership, content points, labour share and where you shoot. That is the conversation worth having before you lock a budget.
No recorded changes for Ontario. The full changelog covers every jurisdiction.
Rates are the easy part. Whether the crew and stage space exist in your window is the part that decides it.