FTTC 22% all-spend, or 30% for Alberta-owned, treaty co-pro or rural/remote
Primary-sourced 2026-07-29 · full statutes, quotes and legislative history in docs/tax/province-ab.md · estimates only, never tax advice.
before bonuses · the rate a foreign production starts from
Refundable Alberta corporate income tax credit. Option of multiple certificates (one per taxation year) or a single certificate at completion.
net effective on total budget · ≈C$4.2M stacked with federal
Model your own →Where a province runs more than one, they are usually mutually exclusive — a production claims one, not both. Getting this fork wrong is the most expensive mistake available at this stage.
All-spend credit on eligible Alberta production costs. An applicant qualifies for exactly one rate — 22% or 30%. The rates are alternatives, not additive.
| Component | Rate | Base |
|---|---|---|
| Base | 22% | Eligible Alberta production costs |
| Alberta-owned | 30% | Same base ≥50% Alberta ownership, an Alberta producer with single-card credit, copyright held ≥10 years, plus spend/labour tests |
| Treaty co-production | 30% | Same base Alberta producer with single-card credit, plus spend/labour tests |
| Rural/remote | 30% | Same base ≥75% of Alberta principal-photography days in defined rural/remote areas |
Provincial production-services credits can be stacked with the federal PSTC — but under ITA s. 125.5(1) they count as "assistance" and reduce the federal qualified-labour base dollar for dollar. So the provincial credit is computed first, and the federal applies to what is left. This is the interaction that breaks spreadsheets.
ITA s. 125.5 · Income Tax Regulations s. 9300 · Cannot be combined with the federal CPTC on the same production (ITA s. 125.5(4)).
Things secondary summaries routinely get wrong.
Primary only. Secondary aggregators are used as cross-checks, never as a source of record.
Whether your production actually qualifies — and which stream to elect — depends on ownership, content points, labour share and where you shoot. That is the conversation worth having before you lock a budget.
Rates are the easy part. Whether the crew and stage space exist in your window is the part that decides it.